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BEYER & other Microphones (Ribbon) |
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...a pair of M160s was responsible for the iconic drum sound on Led Zeppelin’s ‘When The Levee Breaks’. |
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Beyer M 100
Beyer M 31 Ribbon
Beyer M 610
Beyer M160 Double Ribbon ORTF Version
Resolution-M160
BEYERDYNAMIC M160
TECHNICAL SPECIFICATIONS FEATURES APPLICATIONS |
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Beyer M 380
The M380 is suited to kick drum, double bass, tuba, trombone, sousaphone, and bass guitar cabinets.
The microphone exhibits a strong proximity effect. At 1m, the response is -10dB at 20 Hz. At 2cm, the response is +14dB at 20 Hz.
M380, blackThe M380 utilizes the beyerdynamic MKV8 stand adapter. The mic was available in at least two colors: bronze and black.
Steve Albini lists the M380 as one of his favorite mics for bass cab and kick drum.
The Beyerdynamic M380 is also known as: M380N(C), M380NC, M380N, 380, M-380.
Audio Technica ATM-25
Record voice through the Audio-Technica ATM25 featuring double-isolated element for low mechanical noise. The hypercardioid polar pattern of this Audio-Technica cable mic makes it ideal for kick drum, toms, and other highly dynamic instruments. The inclusion of superior internal shock mounting in this dynamic microphone reduces handling noise. The Audio-Technica ATM25 offers 30-15,000 Hz of warm and low frequency response with brilliant presence. The multi-level grille and rugged construction of this Audio-Technica cable mic ensures durability and reliability. You also receive integral stand clamp for 5/8"-27 threaded stands and soft protective pouch, making this dynamic microphone easy to carry.
1975 made SONY C-47 condenser microphone
High end version of SONY C-37P or C-38B
The Sony C38B is a professional large diaphragm condenser microphone intended for vocal and instrument capturing in professional recording studios. The condenser element provides dual switchable polar patterns. The cardioid and omni-directional polar patterns provide control over the pick up angle for complete flexibility in any recording scenario.
RESLO
RIBBON MICROPHONES
AEA R88 Large Ribbon Stereo Microphone — Essentially a stereo, modernized version of the
classic RCA 44 and as such as that "big ribbon" sound. Ideal for recording combos, brass instruments
and choruses.
AEA R84 Large Ribbon Studio Microphone — An outstanding general-purpose microphone based
on the classic RCA 44, and it is ideally suited for vocals, brass instruments and violins.
Beyer M130 — Figure-8 pickup pattern. Ideal for M/S or Blumlein arrays. Incredible clarity, amazing
transient response, condenser-like sound. Excellent for use with the Nakamichi 500, 550 and
610! One of the few microphones that is never screechy with violins or harsh with brass instruments.
Flawless for vocals and in many ways beats the Neumann U87! Often used on scoring
stages in the strings sections.
Beyer M160 — Cardioid pickup pattern. Ideal for M/S, ORTF, Nakamichi 3-point, and KVG Labs
Bird Foot microphone arrays. Incredible clarity, amazing transient response, condenser-like sound.
Excellent for use with the Nakamichi 500, 550 and 610! One of the few microphones that is never
screechy with violins or harsh with brass instruments. Flawless for vocals and in many ways beats
the Neumann U87! Often used on scoring stages in the strings sections.
Beyer M260N and M260.80 — Cardioid pickup pattern. Ideal for M/S, ORTF, Nakamichi 3-point,
and KVG Labs Bird Foot microphone arrays. Incredible clarity, amazing transient response,
condenser-like sound. Excellent for use with the Nakamichi 500, 550 and 610! One of the few
microphones that is never screechy with violins or harsh with brass instruments. Flawless for
vocals and in many ways beats the Neumann U87! Often used on scoring stages in the strings
sections. The M260.80 has a low-cut characteristic when positioned more than two feet away and
is fitted with an XLR connector. The M260N is more linear in the bass and is fitted with a DIN
connector. Best phase response of any microphone other than the more expensive Beyer M130
and M160 ribbons.
Royer R-121 — Excellent for guitar, trumpet, flute, kick drum, and vocals. Essentially the Bang &
Olufsen ribbon microphone modernized. Royer R-122 is the R-121 with a built-in phantom
powered pre-preamplifier.
Royer SF-1, SF21 and SF-24 — An ultra-compact, monaural ribbon microphone, exhibiting flat
frequency and a well-balanced, panoramic soundfield. Exhibits superb transient response and its
frequency response is excellent regardless of the angle of sound. Royer SF-12 is a stereo version
of the SF-1. Royer SF-24 is a stereo version of the SF-1 with a built-in phantom powered prepreamplifier.
Shure 315 Ribbon
Monday, 08-Apr-2024 11:04 PM
